BBC documentary. Michael Wood explores the life, works and influence of one of the worldâs greatest storytellers who died 2,000 years ago. When an Elizabethan literary critic said that the witty soul of Ovid lived on in âhoney tongued Shakespeareâ, they were just stating the obvious. Ovid, everyone knew, was simply the most clever, sexy and funny poet in the western tradition. His Metamorphoses, it has often been said, is the most influential secular book in European literature.
Using Ovidâs own words, brought to life by one of Britainâs leading actors, Simon Russell Beale, the film tells the story of the poetâs fame, and his fateful falling out with the most powerful man in the world, the Roman emperor Augustus.
Following in Ovidâs footsteps, Michael Wood travels from the poetâs birthplace in the beautiful town of Sulmona, to the bright lights of the capital, Rome. Here we visit the Houses of Augustus and Livia, recently opened after 25 years of excavation and conservation. Inside the emperorâs private rooms glow with the colour of their newly restored frescoes. Wood then follows Ovid into exile in Constanta in todayâs Romania, and on to the Danube delta, where dramatic footage shows the Danube and the Black Sea frozen over in winter just as Ovid described in his letters.
Throughout the film Ovidâs own words reveal an engaging personality: a voice of startling modernity. âHe is funny, irreverent, focused on pleasure and obsessed with sexâ says Prof Roy Gibson. But, says Greg Doran, he is also a poet of cruelty and violence, which especially fascinated Shakespeare. Ovid raises very modern questions about the fluidity of identity and gender, and the mutability of nature. He also explores the relationship between writers and power and the experience of exile, themes especially relevant in our time when, as Lisa Dwan observes, exile has become part of the human condition. But above all, says Michael Wood, Ovid is the Poet of Love, and 2,000 years after his death he is back in focus as one of the worldâs greatest poets: ironical, profound, and relevant.