In literary criticism, purple prose is overly ornate prose text that may disrupt a narrative flow by drawing undesirable attention to its own extravagant style of writing, thereby diminishing the appreciation of the prose overall.1 Purple prose is characterized by the excessive use of adjectives, adverbs, and metaphors. When it is limited to certain passages, they may be termed purple patches or purple passages, standing out from the rest of the work.
Purple prose is criticized for desaturating the meaning in an authorâs text by overusing melodramatic and fanciful descriptions. As there is no precise rule or absolute definition of what constitutes purple prose, deciding if a text, passage, or complete work has fallen victim is subjective. According to Paul West, âIt takes a certain amount of sass to speak up for prose thatâs rich, succulent and full of novelty. Purple is immoral, undemocratic and insincere; at best artsy, at worst the exterminating angel of depravity.â 2
Origins
The term purple prose is derived from a reference by the Roman poet Horace 3 4 (Quintus Horatius Flaccus, 65â8 BC) who wrote in his Ars Poetica (lines 14â21):5
Inceptis grauibus plerumque et magna professis purpureus, late qui splendeat, unus et alter adsuitur pannus, cum lucus et ara Dianae et properantis aquae per amoenos ambitus agros aut flumen Rhenum aut pluuius describitur arcus; sed nunc non erat his locus. Et fortasse cupressum scis simulare; quid hoc, si fractis enatat exspes nauibus, aere dato qui pingitur? | Weighty openings and grand declarations often Have one or two purple patches tacked on, that gleam Far and wide, when Diana âs grove and her altar, The winding stream hastening through lovely fields, Or the river Rhine, or the rainbowâs being described. Thereâs no place for them here. Perhaps you know how To draw a cypress tree: so what, if youâve been given Money to paint a sailor plunging from a shipwreck In despair?6 7 |
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See also
- Bulwer-Lytton Fiction Contest, to find âthe opening sentence to the worst of all possible novelsâ
- Concision, a communication principle of eliminating redundancy
- Description, one of four rhetorical modes, along with exposition, argumentation, and narration
- Elegant variation, unnecessary use of synonyms
- Euphuism, deliberate excess of literary devices fashionable in 1580s English prose
- Order of the Occult Hand, a group of journalists who sneak the phrase âIt was as if an occult hand hadâŠâ into published copy
- Verbosity, in which a speech or writing uses more words than is necessary
Notes
References
- Coles Editorial Board, Dictionary of Literary Terms, Rama Brothers, 2001.
Footnotes
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âA Word a Day â purple proseâ. Wordsmith.org. Retrieved 26 December 2014. â©
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West, Paul (15 December 1985). âIn Defense of Purple Proseâ. The New York Times. Retrieved 26 December 2014. â©
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Nixon, Cheryl (2008). Novel Definitions. Broadview Press. pp. 194â. ISBN 978-1770482074. Retrieved 19 May 2013. â©
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Macrone, Michael (1994). Itâs Greek to Me. HarperCollins. pp. 147â. ISBN 978-0062720443. Retrieved 19 May 2013. â©
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Horace (18 BC). Ars Poetica. Lines 14â21. â©
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Kline, A. S. (2005). âHoratti Flacci Ars Poetica â epistulae 3â. Retrieved June 17, 2019. â©
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Your opening shows great promise, and yet flashy
purple patches; as when describing
a sacred grove, or the altar of Diana,
or a stream meandering through fields,
or the river Rhine, or a rainbow;
but this was not the place for them. If you can realistically render
a cypress tree, would you include one when commissioned to paint
a sailor in the midst of a shipwreck? â©